Ishida’s blend of surrealist satire and social realism explores the mechanophilia at the heart of modern alienation.
As computer vision and AI increasingly influence everyday life, a cohort of artists reveals the hidden images that secretly govern these systems.
Social Research 2023
Schjeldahl was not a peddler of a particular theory; his only agenda was pleasure — the pleasures of art, of looking, of language.
The artist’s probing installations reframe the seemingly intractable tensions between curating, colonialism and cultural exchange.
The Nation 2022