Will
Fenstermaker

Will
Fenstermaker

ARCHIVE: All SELECTED 2025 2024 2023 2022 2021 2020 BEYOND

Selected Writing

Yto Barrada’s Rules of the Game

A public artwork in the form of a playgroud, Barrada’s Le Grand Soir comments on postcolonial architecture and experimental pedagogy.

The Nation 2025

Four Centuries of Digital Art

LACMA’s survey gives cursory treatment to the most pressing concerns—AI, misinformation, surveillance—of digital art today.

Dear Dave 2025

Jane Dickson’s Sublime in Traffic

Her paintings of Southern California streets are undoubtedly landscapes, even if they contain few hallmarks of the genre.

The Brooklyn Rail 2024

Interview with Hayv Kahraman

“In my previous works, the figures return the gaze, and they find agency in that. Here, there’s no returning of the gaze. It’s protected.”

BOMB 2024

Interview with Lawrence Abu Hamdan

“A careful analysis of extreme acoustic experiences teaches us how listening can operate more generally as a collective tool for political action.”

The Brooklyn Rail 2023

An Atlas of Invisible Images

As computer vision and AI increasingly influence everyday life, a cohort of artists reveals the hidden images that secretly govern these systems.

Social Research 2023

2025

Mar 06
Profile

On Yto Barrada

A public artwork in the form of a playgroud, Barrada’s Le Grand Soir comments on postcolonial architecture and experimental pedagogy.

Feb 18

On Frieze Los Angeles

Featuring exhibitions by Kelly Akashi, Bruce Nauman, Kour Pour, Jon Rafman, Julian Abraham Togar, Charlie Engelman and Issy Wood.

Feb 10

On ‘Digital Witness’

Despite its impressive scope, LACMA’s four-century survey gives cursory treatment to the most pressing concerns—AI, misinformation, surveillance—of digital art today.

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