There can never be a complete history of the internet because the internet is, to a degree, atemporal—like culture or consciousness, it either exists (in one form or another) or it does not. This places it fundamentally at odds with linear narratives. Art in the Age of the Internet, 1989 to Today, an exhibition at ICA Boston, embodies an important truth: when we talk about the web in its third decade, we’re mostly just talking about culture and cultural production at large. It’s spurious to draw a divide between “culture” and “internet culture” in 2018, an age where 4Chan conspiracies boil over into live-shooter drills, and proprietary algorithms determine public elections. In the time of #Pizzagate and swatting, it can be life threatening to deny they’re one and the same.