Bucharest-based artist Jimmy Robert has a diverse practice, encompassing a variety of media. Often, his works begin where the artist himself began—in photography and video—evolving into sculptures, performances, and more. Robert’s performances comment on or re-interpret iconic works of art—his commission for Performa 17, Imitation of Lives, was performed over a November weekend at Philip Johnson’s modernist masterpiece, Glass House, in New Canaan, Connecticut. Robert and I spoke prior to Performa, when the artist had just returned to Bucharest following a rehearsal in Connecticut. Robert was in the later stages of organizing his intervention, making final decisions about objects to include, references to cut, and choreography to adjust.