Ernst Fischer on the Vision Machine

When I met Ernst Fischer in his shared Sunset Park studio, he had just completed a trade of a photograph for two bottles of homemade mead, which he opened upon my arrival. Over the first few glasses, I told him how I came across his work in 2015 at CUE Art Foundation, and he explained how he moved from filmmaking to photography in his mid-twenties by falling into advertising work. After working for years in London and Berlin, where he grew tired of the pressure to print his photographs in series, Fischer came to New York to undermine his own practice.